Monochrome Mondays

One thing I like about monochrome photography is that it conveys a sense of calm to a subject matter. Even if the subject is not calm and quiet, a monochrome photograph just seems to freeze the movement and noise in place. It must be a sensory thing deep down. Sure, some color photographs are able to capture the same feeling, but I think the way we perceive the scene we see in a monochrome photo feels different somehow.

I took this shot a few years ago, on a cool late November afternoon as my wife and I were heading out of NY Harbor on a cruise to the Bahamas. We had a room with a small balcony and of course you know I had to take lots of shots as the ship pulled out and we steamed out to sea. For anyone who has left New York Harbor by water knows, you really only feel you are on a journey once you go under the Verrazano Bridge (which connects Brooklyn to Staten Island). Once past that bridge, the ocean seems to open up wide before you and the noise and congestion of city life are suddenly behind you now. I knew that day that the shots I might get of the Verrazano just before and just after passing it would be my final ones of the day. And though the big cruise ship was blasting its horn, and helicopters and airplanes were buzzing over the harbor high above and cars driving across the Verrazano, when I look at this photo I just get that feeling. A sense of time being momentarily frozen, tranquil water,  the sun setting on the horizon and a sense of peaceful calm.

Verrazano-Narrows Bridge

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All Photographs By Robert P. Doyle

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