Sometimes I feel guilty about the nature of photography. In many ways it can often be thought of as capturing someone else’s art in a unique way. Take a building or a bridge. Someone else designed and built those structures, but here I am taking a photograph of it, trying to get streaks across the sky but the focal point is someone else’s art. Take bird photography as another example. A bird is just doing what it does, flitting about from here to there and trying to survive when along comes a photographer with a zoom lens trying to capture the perfect blend of movement and light. Even street photography, which I have come to really enjoy seeking. I would never dream of profiting from a photo of someone else’s hard work, but there are others who probably do. In many ways the game has changed so rapidly the last few years since virtually everyone has a camera phone, even if they don’t have a camera.
But then there are rare days (or nights) when I am able to capture something unique, and something that I feel is closer to the origins of photographic art. It happened the other night. I was feeling a bit restless around midnight or so, and grabbed my camera and just walked a block or two down the street to some industrial buildings. I figured maybe with no one around I could do a little experimenting with camera settings. I did take a few shots that I was pleased with, but as I turned around and started heading back something caught my eye. Perfectly framed against the side of a building was the shadow of the street signs. It almost looked too unreal, like what you would see from a projector. Being Halloween time, it almost was a little spooky as well. I actually paused for a moment to think about if it was worth taking, but I figured why not. I have been trying to be more experimental these days anyway. When in doubt, the delete button on the camera works wonders after all. So I took the photo. A few minutes later I was viewing it on the laptop and it reminded me in a small way of some of the experiments early photographers like Alfred Stieglitz who was a master of light and shadow. The photo does not mean anything, I don’t think it gives off any particular vibe, but I just like it. It feels faintly surreal to me and unlike a bridge, bird, or street art photo, it is something I made my own. And I like that.
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All Photographs By Robert P. Doyle