Monochrome Mondays

 

Here we are again, and yet again, I have to admit that I don’t have much time to discuss the photo for today, but there will be in a day or so. For you see, for the first time, I am cross-promoting my posts. Let me explain…

I am currently working on a new music themed post built around a New York landmark. I just have to work in some time to take a few more photos and do a little tidying of the writing. I did go on Friday to take a few photos of this particular landmark. A few of them may work their way into the post, but I wanted to take them in the clear light of a sunny day, and it was almost dark by the time I made my way over there. As soon as I have that sort of day to take the photos, I will publish the post. In the meantime, while there I could not resist taking a few monochrome shots. It seems to lend itself to the history of this particular landmark, like an old black and white newsreel or an image from a coffee table type of book. So what better way to build up some suspense for this forthcoming music post than to give you a teaser of what is to come! Now I posted this photo on Instagram the other day, asking if anyone knew what landmark site this is. One person correctly answered. So I’ll do the same thing here and ask anyone who saw the IG post to keep it to themselves for now.

Thanks and stay tuned for the followup in a few days!

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All Photographs By Robert P. Doyle

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Monochrome Mondays

These days I typically carry my camera with me almost every day. Does that mean I’m a real photographer? I suppose it might. But even though I have it with me, I don’t always actually take photos every day. Lets face it, most days schlepping to work is a grind and you often fall in the trap of not looking at your surroundings much on your way from home to work and back again. When you only have one route to take between the two places as I typically do this becomes an even easier trap to fall into. Save for a great sunset or interesting cloud patterns, there is not a lot to see in the Brooklyn neighborhood where I work. It is a nice area, but there is little in the way of interest that I have come across.

And the above photo is not even particularly interesting, but I like symmetrical patterns. One day last week as I got off the subway I realized I was at the back end of the train for a change. And that is all it took to see a view I hadn’t quite noticed before. When the doors to the train opened instead of instinctively turning left to go down the stairs, I glanced to the right. I saw some skyscrapers in Manhattan off in the distance, I saw the grayness of the day, but mostly I saw the lamp posts on the platform. I took just a few moments to take a quick photo or two to get the angle right, then made some final adjustments and took this one. I like how the lights appear to  descend down into the middle of the photo, even though I was standing on level ground. Just proof that there really are photo opportunities out there in even something as mundane as your commute to work.

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All Photographs By Robert P. Doyle

 

Monochrome Mondays

Sadly I do not have much time today to write about today’s photo. But sometimes a photo doesn’t really need much explanation after all. I took this on Friday night after work. I had a long and frustrating work week and headed out for a few ‘beverages’. Of course I brought my camera along and it was while passing Queensbridge Park I thought, hmm it is a nice clear night, maybe I can take a photo or two.

There is a promenade right along the river with stunning Manhattan views as well as the Queensborough 59th Street Bridge. For once I refrained from taking a bridge photo! For once I saw this bare tree set against the skyline I thought it might look interesting. And that is what you are looking at now!

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All Photographs By Robert P. Doyle

Monochrome Mondays

The Fog

Fog. Foggy Morning. In From The Fog…

I  have wanted to capture a photo in dense fog for quite some time. Call it bad luck on my part or maybe an unwillingness to jump out of bed early in the morning when it is most likely to be at its peak, but after 16 years or so of taking photography more seriously, it really has not happened with the desired results yet. But the other morning it did. I had a little more time walking to work on Friday morning. When that happens I like to deviate from the shorter walk to the subway. Walking along the river only adds about 5 minutes or so, but I tend to leave it for the walk home. In any case, as soon as I reached the pathway I noticed sheets of fog rising from the East River and at times making Manhattan on the other side disappear.

As I was walking south towards the subway, I pulled out the camera even though there was a slight drizzle. I tried a color photo at first, but it did not seem to really capture the mood. I switched to monochrome.  Once the 59th Street Bridge came into view I hoped the fog would continue drifting in the same way because I sensed a really good photo forming in my mind. You can imagine that the bridge dominates the view from that pathway, and it takes a few minutes to get to the vantage point I took the photo above from. I took another photo, hoping the movement of the fog would stay in place and not dissipate so the structure of the bridge and nearby buildings were visible.

Then it happened. Out of the corner of my left eye, I saw the Roosevelt Island Tramway come into view. Instinctively the idea formed in a flash because there was a large concentration of fog near the bridge tower, where the tram would be passing in a scant few moments. I looked ahead briefly and saw there was a point where the pathway jutted out on the river. I knew this would give me a better panorama of the river and bridge. I just had to get there. It almost didn’t happen because in my excitement, I very nearly took a spill on a patch of ice I had not seen. Undaunted, I gripped the camera tightly and ran with my eye on the Tramway’s movement, hoping it would not move too far ahead. It all happened so fast, but in a few moments I deemed my position to be good enough. My settings were satisfactory since I had adjusted them earlier. I planted my feet firmly and pressed the shutter, knowing I had to be quick…and then a bird swooped down as if on cue balancing the middle portion of the photo out.

It was one of those moments when I was really excited by what had happened. The buzz of having an idea formulate so quickly and to have it come out the way I wanted is a great feeling for a photographer. Let me know what you think!

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All Photographs By Robert P. Doyle

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Monochrome Mondays

Hello and welcome back for the first time in about a month to Monochrome Mondays. It is also the first new post of 2018 so without further adieu, here we go!

Big Allis, Queens

As I write, New York City and much of the east coast of the U.S. has been in deep Arctic freeze. Brutally cold temperatures and wind chills. Winter still has a long way to go of course, but I sincerely hope we do not get any deep freezes that last as long as this one has! Partly because it has kept me from wanting to head off walking around taking new photos. Yesterday though I did a bit of writing in a coffee shop and took my camera along. On Saturday we were doing some errands when my wife pointed out the smoke belching out of the nearby power plant known as ‘Big Allis’ not far from our apartment. I did not have my camera, but I took a shot with my phone of the smoke set against the blue chilled sky. Yesterday I saw the same sight (the smoke stacks dominate our neighborhood and can be seen from practically any angle ) but instinctively switched the camera over to monochrome to see what that might look like. Now, I am not thrilled  in environmental terms that those smoke stacks are doing that of course, but there is no denying that it made for an interesting monochrome photo.

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All Photographs By Robert P. Doyle

*Photo Shuffle is a new, very short slice of my regular blogs based on setting my Ipod on shuffle and matching up one of my photographs to whatever comes up.

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Monochrome Mondays

Late Night

Well depending where you live, the cooler days are already with you or on the way. Here it has been a bit of a see-saw requiring odd combinations of jackets, gloves, scarves and hats to compensate. One recent Friday night the temperature dropped rather quickly and surprisingly. Which if you take a minute to observe people usually means the hands go in the pockets, the jacket gets zippered all the way up the head gets scrunched down into the marginal warmth of the coat. You also tend to walk briskly between points. On this particular night I ventured deep into a part of our neighborhood I hadn’t ever really been to before. Certainly at night I had not.

My destination was a taproom I had been meaning to go to for some time and it was a very long walk I don’t mind telling you! After staying for an hour or so I headed out and crossed the street. It was there I noticed that on the other side just before the taproom was this sheet metal fence protecting some sort of commercial yard. Immediately I had the idea that it would make an interesting backdrop for someone walking past, but I would have to do it in monochrome. Unfortunately due to that chilly night it was awhile before I saw someone. I took a few test shots of the fence itself and then waited across the street leaning against a tree. Finally someone walked past and I took my shot. It is inherently an urban photo with the fence. As I thought about it more you also seem to sense the chill in the air when I took it.

Well at least that is what I thought as I was taking it!

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All Photographs By Robert P. Doyle

Monochrome Mondays

Breaking up the routine. It isn’t always an easy thing to do admittedly. To break away from feeling like Worker Drone #Q7649. You have a nice weekend sleeping in, eat a decadent brunch, have a few drinks at the pub. Maybe get a good walk or a workout in. Spend some time with friends. Catch up on a book or read the newspaper. Then…Monday comes around and its up early, slog to work on a crowded train or bus, or fight colossal traffic jams before you are welcomed by the sight of 73 emails that are only marginally relevant to you, yet you have to dig through them all regardless. Then you turn around at quitting time and do the same slog in the other direction, having chowed down your lunch at your desk in order to answer those 73 emails when all you are really dreaming about is putting your feet up at home and unwinding.

All of those things have happened to me of course, but more than any point in the roughly 15 years since I started getting serious about photography, I carry a camera with me practically everywhere now. Barring that I have my phone which takes decent photos too.  Because in all honesty, you just never know what you will see, never know what will capture your attention. On one such slog home from work last week after emerging from the deep subway tunnel on Roosevelt Island, I started wearily making my way home. Since my commute changed a few months back there are only one or two slight variations to the route I take. More often than not though, I start by walking past this row of pathway lighting. Chalk this one down to being dark out when I get off the subway now, for when I started walking alongside of these lights, I noticed they were making a really cool looking circular pattern on the ground. Immediately I grabbed the camera, and switched to monochrome mode for I knew that shooting them in color really would not work. The fact that a few of the lights were actually out did not matter to the overall scene. It actually seemed to accentuate the circular pattern on the ground.

It is funny that the routine can be broken up by the taking of a simple photograph, but I appreciate it for that reason. Even with subway delays and work emails and whatever comprises the ‘routine’, the moment I take my camera out and take photos energizes me. Maybe in the end the photos are not so good. That happens to me quite often of course. But the moment that I see something, the moment I think about something differently, makes it all worthwhile.

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All Photographs By Robert P. Doyle