Lark Rising-A Tribute To Flora Thompson

Mower In The Field

‘The hamlet stood on a gentle rise in the flat, wheat-growing north-east corner of Oxfordshire. We will call it Lark Rise because of the great number of skylarks which made the surrounding fields their springboard and nested on the bare earth between the rows of green corn.’

So begins one of my most favorite books-Lark Rise To Candleford by Flora Thompson. Originally written as a trilogy in the late 1930’s-early 1940’s the three books were eventually unified as one title. What Laura Ingalls Wilder did for the American prairie in her Little House On The Prairie series, what Lucy Maud Montgomery did for Prince Edward Island in Canada with Anne Of Green Gables, Flora Thompson did for her own little corner of England. Ironically, all three women were roughly contemporaries, and all three became known for writing about their own lives growing up. Wilder’s and Montgomery’s stories were originally marketed as successful children’s books (though plenty of adults still admire and read them to this day), Flora Thompson’s series  however was probably more of a slow grower in terms of popularity and importance, and definitely not a children’s book.

Together the three parts of the book-Lark Rise, Over To Candleford, and Candleford Green describe life at the turn of the nineteenth century into the twentieth in a rural corner of England.  Lark Rise being a small hamlet where the protagonist Laura Timmins and her family grew up. Candleford being the slightly larger village, and Candleford Green the market town. The names are fictionalized, but very much based on real places. Using the character of Laura, Thompson was able to weave much of her life growing up, from school and seasonal rituals, to her work as a postmistress in the area. The wonderful thing about this book is though the distance between the three places was not so great, Flora Thompson manages to convey instead a vast landscape, filled with flowers, trees and wildlife.

She also told the story of the people that lived in that area. From her own hardworking parents and her favorite brother Edmund to memorable characters such as Queenie,  Twister, Cousin Dorcas and Zillah, Thompson imbued them all with the spirit of the era. What makes the books still so special today is that they are a living, breathing history of the time period. Flora Thompson wrote them later in life while thinking back on those years. Not purely for nostalgia, but also I think a fair bit of pride for how she and the other inhabitants of the area lived. When she described how a trip to the neighboring village required ‘more than turning over the leaves of a bus time-table’ I do not think of it as being a complaint in the difficulty of planning the excursion. Instead it was just how it was. Nothing more.

I think I have said on these pages before that there is the history that you read about in  books, and the history of any given person during the same time.  What the history books miss in the telling of general trends are the day to day lives of people. People scratching out a living however they could. As Thompson wrote- ‘Lark Rise must not be thought of as a slum set down in the country. The inhabitants lived an open-air life; the cottages were kept clean by much scrubbing with soap and water, and doors and windows stood wide open when the weather permitted.’ They sang songs throughout the year, went to church on Sunday, gossiped about one another, and talked politics at the pub. The charm of the book is in giving life to normal tasks such as the way the houses were decorated, the gardens and animals most households kept, or the archaic rules of children’s games.  In Thompson’s world, these were the historical events, not what was going on in the world around them necessarily.

I could go on quoting many more passages from the book, but I will leave it to you to read for yourselves some day to discover its charms. Revisiting its pages over the last few days  reminded me that  as a photographer when I am looking for interesting things to take photos of, I sometimes stumble upon an artifact from the past. An old barn on a country road or a vintage sign for example. Rather than viewing it as a museum piece or antique, I often think about what that artifact has been witness to. Take the photo I am using in this post. I took it on the little farm my mother grew up on in Ireland. It is one half of a mowing machine and would have been pulled by a horse. It sits in the field, rusted but built so well one could almost imagine it working again.

Perhaps because it is not in a museum or in an antique shop, but was actually used by my grandfather, I felt more of a connection to it. Like the world Flora Thompson recounts in Lark Rise To Candleford, the machine feels relevant still because it represents part of a life that is gone, replaced instead by modern machinery. I think a large part of why Lark Rise is considered such a gem is that it did not lament the inevitable change. Thompson herself once remarked of desiring  ‘a combination of old romance and modern machinery’. Lately with the world moving  faster than ever, when I read the words of writers like Flora Thompson, or when I take a photograph of something I know to be very old, it is my way of linking to the past. Similarly, the world of traditional music has a hand in preserving the same life that Thompson recounted. Bands like The Albion Band did that quite well in fact.

When bass player Ashley Hutchings left Fairport Convention in 1969, he eventually formed the group Steeleye Span, and later The Albion Band. The Albions…as fans generally refer to them as owing to a bit of an open door musical policy were a true extension of Hutchings desire to explore the English folk traditions in full. Not just the traditional ballads, but also the various dance traditions encountered throughout the land. He has explored the work of folk song collector Cecil Sharp, he has performed both with very large groups of musicians and smaller acoustic based ones. He has done obscure concept albums, and more commercial sounding folk-rock.

In 1978, Hutchings and The Albion Band were asked to take part in a stage version of Lark Rise To Candleford. It was a theater in the round type of performance-actors became musicians and vice versa. Later, a studio album comprising some key moments was produced, which is where the music in this post comes from, two traditional songs very much in keeping with the themes of the book.  This album was my introduction to Flora Thompson’s world. The play was perhaps the first real push to present her work as being special. Just a few years ago, a very popular BBC television series went on air, and Thompson’s work is now seemingly on par with those of her two contemporaries.

Inevitably, whenever I play The Albion Band’s album, I find myself pulling out my battered copy of Flora Thompson’s book. Something about the leisurely approach to her story, lends itself to opening up random passages to read at will. I began writing this post as a way of introducing people to the book, but now in conclusion I feel something else happened along the way, and it has to do with that same leisurely approach. I do sometimes fear that the times we are in now really do move too fast. Not only is the technology changing, but we are too. Flora Thompson’s own life was not completely idyllic and was certainly not without hardship. But later in life, she wanted to recount those times, the good and the bad. When musicians like The Albion Band perform old traditional songs they do so to present something similar. When I take a photo of something like an old piece of farm equipment I am doing the same thing. Three mediums keeping the past alive in the present. My fear is that in the fast paced world of today will we collectively recount our pasts the way Thompson did? Let me know in the comments below what your thoughts are!

Lemady/Arise & Pick A Posy-Traditional, Arranged By The Albion Band

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All Photographs By Robert P. Doyle

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Take Back This House

Early on in this blogging journey of the past three years I made a lot of mistakes. It is inevitable that it should happen of course. I had not done any writing since college some 30 years before after all, and even then it was not my strong suit. It is still a learning process and as I go on, I still learn more every time I sit down and put these posts together. The biggest thing I have learned is to be more focused and succinct when I write. I have thought about re-working some of my older and longer posts in this manner the same way an artist or a band revisits a song from the past. But much like a 1980’s song awash with synthesizers and drum beats that sounds painfully dated, it is sometimes best to move on and write something new instead.

Which is not a bad thing in this case, because early on I wrote a post about yet another favorite group of mine, the Oysterband. You can go searching for it deep in the archives if you want but to be honest, because I was so new to blogging and writing, I don’t feel like I expressed what I really wanted to and lost the point along the way. Ever since I have wanted to correct that, and find a way to write about them again.  That time is now. Rare is a band that gets stronger and comes up with  albums later in their career that are arguably better than the earlier ones, but such is the case with Oysterband who have been plugging away for well over 30 years now. Continue reading “Take Back This House”

Photo Shuffle-Barrett’s Privateers

I pressed play on my Ipod and this is what I heard…Barrett’s Privateers By Stan Rogers.

CSS Acadia, Halifax Nova Scotia
CSS Acadia, Halifax Nova Scotia

Those of you who have been reading my posts for awhile now must surely realize that recurring themes pop up in my posts from time to time. Chalk that up in part to the types of photographs I like to take.  When I travel to a new and different place I  anticipate the types of photo ops I might get, and I instinctively pull the camera out to be ready. Say for example in Halifax, Nova Scotia,  which I stopped in while on a cruise a few years ago. It was a place I hoped would be full of different types of ships, which is one of those recurring themes I mentioned. I do have a thing for all manners of transportation! Happily I was not disappointed, and just a few moments after disembarking while still getting our bearings, my wife and I walked along the fabulous waterfront in Halifax, which was filled with all manner of ships in a busy port.

I suppose the reason I don’t feel bad about recurring, or ‘repeating’ themes here is because  photos, like songs  have similarities, yet there is always something unique to them somehow. A busy port filled with commercial, military, and  cruise ships together with pleasure craft may seem the same as any other port anywhere in the world, yet there is always something different about them, be it due to the layout or the climate. Likewise though songs may have the same time signature, same instruments playing, and maybe even the same subject matter, no two songs are ever truly alike.  I think both of these elements are why I am so easily influenced and inspired by things like transportation as a photography subject. It is also why I am so particularly drawn to folk music because it keeps such a connection with history. Continue reading “Photo Shuffle-Barrett’s Privateers”