Monochrome Mondays

The Fog

Fog. Foggy Morning. In From The Fog…

I  have wanted to capture a photo in dense fog for quite some time. Call it bad luck on my part or maybe an unwillingness to jump out of bed early in the morning when it is most likely to be at its peak, but after 16 years or so of taking photography more seriously, it really has not happened with the desired results yet. But the other morning it did. I had a little more time walking to work on Friday morning. When that happens I like to deviate from the shorter walk to the subway. Walking along the river only adds about 5 minutes or so, but I tend to leave it for the walk home. In any case, as soon as I reached the pathway I noticed sheets of fog rising from the East River and at times making Manhattan on the other side disappear.

As I was walking south towards the subway, I pulled out the camera even though there was a slight drizzle. I tried a color photo at first, but it did not seem to really capture the mood. I switched to monochrome.  Once the 59th Street Bridge came into view I hoped the fog would continue drifting in the same way because I sensed a really good photo forming in my mind. You can imagine that the bridge dominates the view from that pathway, and it takes a few minutes to get to the vantage point I took the photo above from. I took another photo, hoping the movement of the fog would stay in place and not dissipate so the structure of the bridge and nearby buildings were visible.

Then it happened. Out of the corner of my left eye, I saw the Roosevelt Island Tramway come into view. Instinctively the idea formed in a flash because there was a large concentration of fog near the bridge tower, where the tram would be passing in a scant few moments. I looked ahead briefly and saw there was a point where the pathway jutted out on the river. I knew this would give me a better panorama of the river and bridge. I just had to get there. It almost didn’t happen because in my excitement, I very nearly took a spill on a patch of ice I had not seen. Undaunted, I gripped the camera tightly and ran with my eye on the Tramway’s movement, hoping it would not move too far ahead. It all happened so fast, but in a few moments I deemed my position to be good enough. My settings were satisfactory since I had adjusted them earlier. I planted my feet firmly and pressed the shutter, knowing I had to be quick…and then a bird swooped down as if on cue balancing the middle portion of the photo out.

It was one of those moments when I was really excited by what had happened. The buzz of having an idea formulate so quickly and to have it come out the way I wanted is a great feeling for a photographer. Let me know what you think!

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All Photographs By Robert P. Doyle

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Monochrome Mondays

Hello and welcome back for the first time in about a month to Monochrome Mondays. It is also the first new post of 2018 so without further adieu, here we go!

Big Allis, Queens

As I write, New York City and much of the east coast of the U.S. has been in deep Arctic freeze. Brutally cold temperatures and wind chills. Winter still has a long way to go of course, but I sincerely hope we do not get any deep freezes that last as long as this one has! Partly because it has kept me from wanting to head off walking around taking new photos. Yesterday though I did a bit of writing in a coffee shop and took my camera along. On Saturday we were doing some errands when my wife pointed out the smoke belching out of the nearby power plant known as ‘Big Allis’ not far from our apartment. I did not have my camera, but I took a shot with my phone of the smoke set against the blue chilled sky. Yesterday I saw the same sight (the smoke stacks dominate our neighborhood and can be seen from practically any angle ) but instinctively switched the camera over to monochrome to see what that might look like. Now, I am not thrilled  in environmental terms that those smoke stacks are doing that of course, but there is no denying that it made for an interesting monochrome photo.

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All Photographs By Robert P. Doyle

*Photo Shuffle is a new, very short slice of my regular blogs based on setting my Ipod on shuffle and matching up one of my photographs to whatever comes up.

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2017 In Photos-Part 2

Following on from yesterday’s Part 1 of my favorite photos I took this year, I give you Part 2 now. Click and view them large screen to really get the best view. Let me know what your favorites are in the comments below! After this post I will be taking a week or so off from all blogging commitments for the Holidays, but rest assured I will be back very soon with new photos, and new music to write about.

Soundtrack Of A Photograph-Where Music Meets Photography.

 

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Monochrome Mondays

I seem to have a thing for lights recently. Something about the contrast of light and darkness utilizing monochrome is really striking. The lights are not technically ‘white’ but the appearance they give makes them look that way. Combined with the black of night and I could probably ramble on for a 1000 more words about all the ways this is significant and representative of society or even my own life. I could…but I won’t this time! I am keeping this post short today because there is a lot going on right now-work, holiday rush, and other things are cutting into my creative time right now. However that is not going to stop me from sharing this photo out to you which I took recently. I had walked past this building a few times, but never at night and the pattern these lights cast was too alluring for me to resist!

And I want to also mention to keep your eye out in the next few days for my own ‘Best Of’ Photo selections for 2017. Honestly, I have so many, that I’m going to do it in two posts, so stay tuned! In the meantime, you can catch up on some of my favorite music themed posts of 2017 right here.

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Monochrome Mondays

Smile For The Camera!

I have been reading an autobiography of Paul Auster, a favorite writer of both my wife and I. Actually in clever Auster fashion he has written two ‘autobiographies’. The first-Winter Journal which I have not read is described as a second person look at his physical self. Report From The Interior is the one I am currently reading and it is a recollection of the inner workings of his development from an early age. For fans of his work it is a revealing look at some of his earliest fascinations in life, interspersed with true stories about growing up. All I can say in describing it is that it is unlike any autobiography I have ever read. One of the reasons I like it is because at the end of the written part of the book is an ‘Album’ which tells the same exact story of his life through the eyes of cartoons,  vintage photographs, magazine advertisements, newspaper stories, and even motion picture stills. I found myself skipping back and forth to see the visual side of what he was writing about. Surely one reason for this device in the book is because at one stage he laments that as a result of moving a lot he lost a lot of mementos and photo documentation of his youth. Surprising because he mentions that in the postwar U.S. every family was gripped by ‘shutterbug’ fever.

It made me think about the times we are in now, when everyone is seemingly a photographer. From masters of the selfie to Instagram accounts with thousands of followers, everyone it seems is representing their life in a ‘visual’ way. The difference from what Auster described is that though cameras may have been readily available, the means of sharing them to people was not. I am old enough to remember the dreaded ‘slide shows’ your neighbor might invite you over for to see of their trip to the Grand Canyon. Other than that, photography was either commercial-family portraits, newspapers, magazines, etc or artistic. The lines did not really intersect with one another but they sure have now. This blog would not exist if they did not intersect after all. The question I wonder about is-does having so much visual representation  harm the more thought driven way we used to think? Instead of describing how awesome the pizza was at a restaurant to a friend, we show them a photo we snapped of it on our phone. Instead of describing a cool exhibit we saw at a museum, going over the high points we tend to rely on the visual.

By no means am I above this, but sometimes I like to take a step back. To ‘think’ about photography rather than doing it. When I saw these figures standing on a hill on Roosevelt Island with the Manhattan skyline behind the figure to the right above, I thought it would be interesting to take a photo of people engaged in the act of photography. Photographer and subject matter together. I could describe to you in detail what was behind that figure on the right. What buildings would be in view, what color the sky was, that sort of thing. And sometimes I think that is actually more interesting.

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Monochrome Mondays

Late Night

Well depending where you live, the cooler days are already with you or on the way. Here it has been a bit of a see-saw requiring odd combinations of jackets, gloves, scarves and hats to compensate. One recent Friday night the temperature dropped rather quickly and surprisingly. Which if you take a minute to observe people usually means the hands go in the pockets, the jacket gets zippered all the way up the head gets scrunched down into the marginal warmth of the coat. You also tend to walk briskly between points. On this particular night I ventured deep into a part of our neighborhood I hadn’t ever really been to before. Certainly at night I had not.

My destination was a taproom I had been meaning to go to for some time and it was a very long walk I don’t mind telling you! After staying for an hour or so I headed out and crossed the street. It was there I noticed that on the other side just before the taproom was this sheet metal fence protecting some sort of commercial yard. Immediately I had the idea that it would make an interesting backdrop for someone walking past, but I would have to do it in monochrome. Unfortunately due to that chilly night it was awhile before I saw someone. I took a few test shots of the fence itself and then waited across the street leaning against a tree. Finally someone walked past and I took my shot. It is inherently an urban photo with the fence. As I thought about it more you also seem to sense the chill in the air when I took it.

Well at least that is what I thought as I was taking it!

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Monochrome Mondays

Looking Out

This is one of those moments where I feel the photograph needs to do most of the talking. I have a lot on my mind lately. Some good, some not so good. Neither of which will keep me silent on here for having this space is a very helpful thing to have to get thoughts out. That is why I think writing or any outlet of creativity is so vital, and its a lesson I learned late. But I suppose that is what still fuels me to keep going here, even when there are gaps of time between posts, even if I’m not writing about music so much. Even if my words here are fewer, the camera in my hand is a powerful tool of expression. It can be happy, sad or introspective.

As I mentioned last week I was at the beach recently. Early on my last morning there I went out for a walk, clutching a cup of coffee and enjoying the sun on my face. When I stepped on to the beach I saw this solitary figure on the pier gazing out. It reminded me of…me. Actually if this person had not been there I would have been standing on that pier as well, looking out on the passing ships and sea birds flying about. But instinctively I took a few photos, and then I realized the reason it felt that way was that I was feeling a sense of it reflecting on my own mind these days. Before I carried this camera with me, I would have had only one half of this equation-I would be looking out without understanding WHY? Now at least when I have thoughts I can reason them out a little more clearly because I see things on both sides of the lens. And that helps.

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All Photographs By Robert P. Doyle