One positive thing about social media is that it allows me to test out what photos of mine people respond to. Of course I have the usual sort of doubts about my photographs like anyone does. Some I know are good the moment I press the shutter release. Others I decide are flawed in one way or another and rejected as I curse at myself internally and asking what were you thinking? Others I have to come to grips with, asking whether I like the lighting, the framing, the movement of the photo. Those are the ones I am especially grateful for reactions from people on Instagram and Facebook. Yet I still often wonder, is it enough?
Case in point, the photo shown above. I took a day off last week. It was a warm August day here in New York City but I wanted to go for a long walk and take some shots. I decided to head over to nearby Roosevelt Island and eventually I wound up at the southern tip of the island, which now comprises the Franklin D. Roosevelt Four Freedoms Park. It was the last major work designed by famed architect Louis I. Kahn It slices through the landscape culminating in a tree-lined pathway leading to a statue of FDR and a wide expansive view of the East River. While walking between the rows of trees I knew that the linear aspect might look interesting. I chose a few different angles and perspectives, made some adjustments to the camera settings and hoped it would be enough. More on the results in a moment…
For just over 20 years the best band out of Newfoundland, Canada (and one of the best out of Canada period) was the Celtic folk rock styles of Great Big Sea. Until their unfortunate demise a few years ago they combined the traditional songs of Newfoundland with their own originals, an infectious combination that won them a lot of fans worldwide. Since the breakup, their high energy main singer Alan Doyle (no relation!) has released two albums, with a third on the way and relentlessly tours all over the place. A few days after going to Roosevelt Island I played Alan’s first solo album-Boy On Bridge, a solid collection of all out rockers and some nods to more folk sounding material. I love the album, and my favorite song on it is the rocking I’ve Seen A Little. Hearing it the other day again, certain lyrics of the song really struck me, and I saw in them a correlation to my photography. Maybe not anyone else’s, but I saw myself, camera in hand in the lyrics.
The heavy use of the word ‘ain’t’ might be a grammar teachers nightmare, but hey…this is rock and roll and anything goes! I was struck by a few lines in particular-
‘It ain’t what you got its what you’re looking for’
‘It ain’t what you’ve done it’s what you’re gonna do’
‘It ain’t where you been its where you’re going to’
And finally the line I chose for the title of this post- ‘I’ve seen a little but it ain’t enough’
Photography like any art is about exploration. Finding something extraordinary in the ordinary. Discovering both new places and new ways of taking a photo. Experimenting with angles and perspectives. Striving to do something different. Maybe it has been done by others before, but is new to you. Hearing Alan Doyle’s song the other day reminded me of this. The lines quoted above are about seeking. In the context of the video for the song that is about being a bit of a rebel, but if you really think about it, these lines describe an approach defined by heading towards the new. It really struck me that when I sometimes get in a photography rut, it is because I fall into the trap of living in the first part of every line. In times like that I live in ‘what you got, what you’ve done, where you’ve been.’ Where I need to be is in the second part to those lines- ‘what you’re looking for, what you’re gonna do, where you’re going to.’ Most importantly, I need to remember that the things I have seen, the things I have done are great…but ‘it ain’t enough’.
Back to the photo now. In one direction, the path and row of trees ends in an abrupt dead end at the north end of the plaza. Regardless, I took a few photos from this viewpoint. I experimented with where I wanted to position myself-full on in the center of the pathway (which was thankfully deserted because it was a weekday) or off to the side? Wide angle focus which would clearly show both sides of the tree overhang or a narrow focus which would highlight more of the pathway? Standing upright so the camera would be inclined slightly downward towards the horizon, or crouching down towards the ground so it inclined slightly upward? Finally I had to decide if I should wait for some unsuspecting person to walk into the frame to give it a sense of movement. Lots of choices…
So what I did first of all was turn around, utilizing the view of the path that leads towards the FDR monument. Next I determined that positioning myself dead center in the scene made the most sense visually. I used a wide angle focus to fully show the overhang of all the trees on both sides, and decided that crouching down so the scene inclined ever so slightly up looked much better. Additionally it really highlighted the little mounds of dirt under each tree, and the fallen leaves on the pathway. Lastly I tried all of the above with no one else in the scene and realized it was severely lacking some sort of motion. I waited until these two people entered the scene (and for the guy seated on the right to put his shoes back on!) and took the shot. And that is what you are looking at here, no editing whatsoever. I was happy with the results and the reaction I received for the photo. When that happens it makes me want to head out again the following day and try it again. I think Alan Doyle might agree with that approach because-
There might be nothing down that road
But you never know, you never know
I’ve Seen A Little-Written By Alan Doyle, Gordie Sampson, & Troy Verges
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All Photographs By Robert P. Doyle
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