The deeper I have gotten into photography, the more I find myself interested in the texture and contours of random objects. It might be the windows on an old building, or the pattern to a wrought iron fence. It might be the vintage lights in an old restaurant, or the lettering of a street sign. Texture was something I never really appreciated as an artistic concept I suppose. Years ago when the computer games Myst and its sequel Riven were released, I picked up a companion book about the games called From Myst To Riven : The Creations And Inspirations. Anyone who has ever played those games knows how groundbreaking the art was, particularly in Riven. While a great deal of it was done in a more cinematic fashion, creating worlds via the computer, the book explained that some of the styles, colors, and shapes were built around a photo expedition some of the team had made to New Mexico. While there they took close up photos of building textures-stone and brick patterns from houses, as well as plants and even Native American textiles. It opened my eyes to realizing that by moving in closer visually, shapes and color patterns can be quite intricate and fascinating in their own right. Not everything has to be seen on a large scale.
Awhile back here I used a photo of the rotunda in the old customs house here in NY (which now houses the National Museum Of The American Indian). It was a bit of trickery in that it was actually shot in color, but looked like monochrome because of the subject. I wanted to do something similar again, and while looking through some old photos remembered these shots I took last year of some white birch trees. Once again I photographed these in color, but because the bark of a birch is a variety of patterns of black and white it gave the effect of being photographed in monochrome and I really liked the end result of shapes and textures.
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All Photographs By Robert P. Doyle
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